Legacy The Origins Of Civilization Episode 1

Ancient Greece . Washington, DC: Federal Research Division of the Library of Congress, 1995

How Art Made the World. How Art Made the World.

History Channel Documentaries All Seasons. Episode Number: Episode Name: Originally Aired: Image: 1 x 3: Disasters of the Century - Second Narrows Bridge. GameRevolution.com is a property of CraveOnline Media, LLC, an Evolve Media, LLC company. We humans have been on the Earth for more than a million years, but civilization - life in cities - has come about only in the last 5,000. Through history. The best and largest selection of PC game cheats, PC game codes, PC game cheat codes, PC cheatcodes, PC passwords, PC hints, PC tips, PC tricks, PC strategy guides.

If you are a teacher searching for educational material, please visit PBS LearningMedia for a wide range of free digital resources spanning preschool through 12th grade. While many of our custom made trainers are reserved for Cheat Happens Premium members, we also create and release many FREE TRAINERS each month. How Art Made the World; Genre: Documentary: Presented by: Nigel Spivey: Country of origin: United Kingdom: Original language(s) English: No.

Genre. Documentary. Presented by. Nigel Spivey. Country of origin. United Kingdom. Original language(s)English. No. Great apes will smear paint on canvas if they are given brushes and shown how, but they do not instinctively produce art any more than parrots produce conversation. We humans are alone in developing the capacity for symbolic imagery.

They tell us how to behave, even how to feel. They mould and define us. But why do these images, the pictures, symbols and the art we see around us every day, have such a powerful hold on us?

The answer lies not here in our time but thousands of years ago. Because when our ancient ancestors first created the images that made sense of their world, they produced a visual legacy which has helped to shape our own. In this series we'll be travelling around the globe, discovering the world's most stunning treasures. We'll see how the struggles of early artists led to the triumphs of the world's great civilisations. Our journey will take us through a hundred thousand years of history.

We'll be witnessing some of the extraordinary ceremonies of the world's oldest artistic cultures. And we'll reveal how they unlock the deepest secrets of ancient art, We'll be hearing from the people who made these discoveries. And we'll be using science to uncover how thousands of years ago the human mind drove us to create astonishing images, You'll never look at our world the same way again, for this is the epic story of how we humans made art and how art made us human.— Nigel Spivey's opening narration. Watch The 7Th Hunt Megavideo there. Episode one: More Human Than Human..

What's going on? Why is our world so dominated by images of the body that are so unrealistic?— Nigel Spivey's opening narration. Dr. Spive begins his investigation by travelling to Willendorf, where in 1. Austrian archaeologists discovered the Venus of Willendorf, an 1. BCE. Spivey travels to the Naturhistorisches Museum in Vienna to examine the Venus's grotesquely exaggerated breasts and abdomen, as well as its lack of arms and face, which shows the desire to exaggerate dates back to the very first images of the human body created by our ancestors. Spivey speculates that, The people who made this statue lived in a harsh ice- age environment where features of fatness and fertility would have been highly desirable, and several similar statuettes collectively referred to as Venus figurines show that this exaggerated body image continued for millennia. Ramachandran speculates that the reason for this lies in a neurological principle known as the supernormal stimulus, which Spivey demonstrates by replicating Nikolaas Tinbergen's experiment with Herring gull chicks.

When the chicks are shown a yellow stick with a single red line made to represent their mother's beak, they tap on it as they are programmed to do to demand food. However, when they are presented with a stick with three red lines they tap on it with increased enthusiasm even in comparison to the original beak. Ramachandran concludes, I think there's an analogy here in that what's going on in the brains of our ancestors, the artists who were creating these Venus figurines were producing grossly exaggerated versions, the equivalent for their brain of what the stick with the three red stripes is for the chick's brain. The Egyptian images of the human body, which he discovers at the Tomb of Pharaoh Rameses VI and the Karnak Temple Complex, were regular and repeated, and nothing about them was exaggerated. Mapped onto the wall at the unfinished Tomb of Amenhotep III's vizier Ramose he discovers the grid which dictated the precise proportions and composition of these images for three thousand years. The Egyptians created images of the body this way, Spivy concludes, not because of how their brains were hard- wired but because of their culture. As revealed in an antique copy of Herodotus in St John's College Old Library, Greek sculptors learned the Egyptians' techniques and initially created truly realistic depictions of the human body, like Kritian Boy at the Acropolis Museum in Athens, Greece.

However, according to Ramachandran, the problem with the Kritian Boy is it was too realistic, that makes it boring, and the style was soon abandoned. Spivey states that, the Greeks discovered they had to do interesting things with the human form, such as distorting it in lawful ways, and examines the pioneering work of a sculptor and mathematician called Polyclitus, as exemplified in the Riace bronzes at the Museo Nazionale della Magna Grecia. Spivey concludes that the first civilisation capable of realism had used exaggeration to go further, and it's that instinct which still dominates our world today. This is why the bodies in our modern world look the way they do. The reality is we humans don't like reality. The shared biological instinct to prefer carefully exaggerated images links us inexorably with our ancient ancestors, and yet what we choose to exaggerate is where science gets left behind. That's where the magic comes in.— Nigel Spivey's closing narration.

Episode two: The Day Pictures Were Born. So what happened back then? How did we first get this ability to create images?

To find the answer, we need to go way back in time.— Nigel Spivey's opening narration. Dr. Spivey begins his investigation by travelling to the Cave of Altamira near the town of Santillana del Mar in Cantabria, Spain, where in 1. Papa. The find revealed that, About 3. Watch Sydney Online Iflix. French priest Henri Breuil believed that, prehistoric artists painted animals to increase their chances of a successful hunt, but the animals painted here and at other sites such as the Pech Merle in France, also visited by Spivey, did not match the bones discovered and abstract patterns revealed the artists weren't merely copying from real life. Spivey next travels to the Drakensberg Mountains of South Africa, where rock painting made 2. San people and similarly dismissed as hunting scenes, are revealed by anthropologist David Lewis- Williams to contain many of the same unusual features.

San by German linguist Wilhelm Bleek reveal the importance of trance within their culture, an observation confirmed by Spivey after watching a shamanistic ritual performed by their present- day descendents in a village near Tsumkwe, Namibia far from the mountains. Lewis- Williams theorises that, the paintings were not just pictures of everyday life, but they were about spiritual experiences in a trance state. Media information. How Art Made the World: A Journey to the Origins of Art. BBC Books (hardcover). ISBN 9. 78- 0. 56. Spivey, Nigel (8 November 2.

How Art Made the World: A Journey to the Origins of Art. Basic Books (hardcover). ISBN 9. 78- 0. 46. Spivey, Nigel (7 November 2. How Art Made the World: A Journey to the Origins of Art. Basic Books (paperback).

ISBN 9. 78- 0. 46.